1280 named themselves after a book by infamous pulp novelist jim thompson, in which the dimwitted sheriff of a small southern town unwittingly discovers his capacity for corruption and bloodshed. It doesn’t really feel like music, it feels more like slightly melodically seasoned emotional outbursts. 1280 delivers a nightmare of a record, fusing goth rock, noise, and ambient music on their third lp for sacred bones.
Pop. 1280 Paradise (2016, Silkscreened Cover, Vinyl
1280 are still concerned with the dark underbelly of the human experience, though the sneakily measured paradise proves that even the most degenerate souls deserve some sanguine aggression, too.
Compact discstracks:1.1 pyramids on mars 1.2 phantom freighter 1.3 in silico 1.4 chromidia 1.5 uss iss 1.6 paradise 1.7 rain song 1.8 the last undertaker 1.9 kingdom come
1280 delivers a nightmare of a record, fusing goth rock, noise, and ambient music on their third lp for sacred bones. H uman progress is out. 1280's brooding and flashy paradise. 1280 delivers a nightmare of a record, fusing goth rock, noise, and ambient music.
This production is ultimately what makes paradise such a standout.
1280 releaseproduct paradise label sacred bones records catalogue number sbr145cd release date january 22, 2016 Hello select your address cds & vinyl hello, sign in. Paradise those wanting to dance with the devil will have a very pleasant time with pop. On their third album, paradise, pop.
Mp3 320kbps / flac size:
Stream songs including pyramids on mars, phantom freighter and more. The album also introduced allegra sauvage on keyboards and cello, replacing pascal ludet. Explore the tracklist, credits, statistics, and more for paradise by pop. Listen to paradise by pop.
Paradise, an album by pop.
Synthesizers, mechanized drum machines, and samplers play as critical a role on the record as the more familiar squall of ivan drip’s buzzsaw guitar and chris bug. Paradise builds on 2013’s imps of perversion lp by venturing further outside of traditional notions of punk, and diving even deeper into outer sounds. 1280 get closer than ever to the theme that unites these genres—the dehumanization at the core of the technological strides toward a. Paradise builds on 2013’s imps of perversion lp by venturing further outside of traditional notions of punk, and diving even deeper into outer sounds.synthesizers, mechanized drum machines, and samplers play as critical a role on the record as the more familiar squall of ivan drip’s buzzsaw guitar and chris bug’s vocals.
1280 and their magnetic, brooding, maniacal style of upfront, utterly negative approach, might just be the best example of that, in spite of their absolutely unique sound.
This, at least, is the crux of pop. Released 22 january 2016 on sacred bones (catalog no. 1280’s third album, paradise, which doesn’t so much as celebrate the possibility of utopia as despair at its increasing implausibility. Yet that approach has been swapped out on third album paradise in favor of a more synth driven drone, as heard on leadoff track “pyramids on mars.” vocalist chris bug sounds less aggressive than usual, and.
While their music suggests they exist in some otherworldly universe rather than the american southwest, pop.
It is more skeletal and raw in places than their two previous albums, and more lush and thick with synth and guitar in others.
